Local Artists:

Junior Danger: Black River Automatic (Single) (Indie)
- Big, ballsy blues-rock is not exactly unusual these days, even when it's done well - and Junior Danger know how to make a slab of blues rock. What really sets them apart is Damien Brown's sonorous bass voice. It makes Black River Automatic sound more gothic than Sisters Of Mercy. That and this single, are great. (Chris Cobcroft)

Matt Hsu: Mycelium (Single) (Indie)
- Matt Hsu (of the Mouldy Lovers) has been learning instruments, possibly all of them. Then he layered them into this track which sounds halfway between a mariachi band and, very much as Matt intended, a Studio Ghibli soundtrack. Quite unusual but fairly enchanting. (Chris Cobcroft)

Penelope Two-Five: She (Single) (The Space Between Us)
- A large soft-serve of deep-house with an ambient wash. I don't know if it's much more complex than that - but it doesn't need to be, it's pretty swell just like it is. (Chris Cobcroft)

Quintessential Doll: Savage (Single) (Indie / Footstomp)
- "My mad beauty will never be yours to tame" rings over and over again like an anthem in the newest track from Quintessential Doll, Savage. Filled with the usual avant-garde style production, ambient synth riffs, and soft, delicate vocals. The hard hitting and controversially topical lyrics combine to create a powerful and liberating track that hits close to home. This girl has done it again. (Olivia Shoesmith)

Shutup Shutup Shutup: My Friends (Single) (Indie / Collision Course)
-The latest incarnation of energy from the lads that brought you Release The Hounds is Shutup Shutup Shutup. With the irreverence of Future Of The Left smashed together with the hard hits of The Bronx, My Friends is the kind of anti-bullshit firebrand that is most welcome. (Nick Rodwell)

Some Jerks: Strange Ways (Pig City)
- Some Jerks' album Strange Ways plays to the same strengths as before, but with an even more impressive tightness. Some '60's girl group action, a lot of surf rock and a bit of Kathleen Hanna fire, mostly courtesy of Victoria Watson's rather smashing vocals. Yeah, there's a lot to like here, right down to the Dick Dale does Slayer cover of Raining Blood. Pretty genius. (Chris Cobcroft)

Sunny Flynn Hugo: City Always Lets You Down (Single) (Indie)
- Brissy four piece Sunny Flynn Hugo have burst onto the local scene with the release of their debut single, City Always Lets You Down. Jangly guitars grooves and lazy vocals sit over a relaxed rhythm section with subtle timing changes. This track makes you want to sit by the beach in summer and sink tinnies with your pals. (Ben Gibson)

Tia Gostelow: Vague Utopia (Single) (Indie)
- It's hard to believe that indie-folk singer-songwriter Tia Gostelow is only seventeen, her newest track has maturity far beyond her years. Dreamy, intoxicating vocals ring out over the guitar and drum riff filled music, to create a melancholic but warm listening experience. (Olivia Shoesmith)

Australian Artists

Various Artists: Harmony From A Dominant Hue (Body Promise)
- Why it's the debut compilation from FBi Click's hot dance radio show Body Promise! A whole bunch of club-oriented pounders from Sydney types and a few from a bit further afield than that, including one from Brisbane's own noise terrorist, Enderie. As a collection these cuts are characterised by their club origins, making them dark, fast and minimal, while at the same time expanding on the traditional techno palette in all sorts of ways. (Chris Cobcroft)

Bec Sandridge: High Tide (Single) (Farmer And The Owl / Inertia)
- Bec Sandridge stands forthright and headstrong -like a lighthouse amidst the brewing storm of relationship decline- in her latest single High Tide. Her '80’s soft rock shtick is as desirable as ever on this one - Doing Chrissie Hynde proud. (Nick Rodwell)

Big Words: The Answer (Indie)
- Coming in with their first release, Melbourne band Big Words are by no means newcomers to the fold. Vocalist Kieren Lee was happened upon by none other than hip-hop legend Ghostface Killah as he busked in the Melbourne streets. After hearing him, Ghostface invited him to perform on stage that very night. A wonderful amalgamation of RnB, soul and hip-hop. A refreshing listen, keep your eyes peeled for these guys. (Lee Evans)

Black Rheno: Let's Start A Cult (Indie)
- It's rare to hear heavy bands so freely charging between subgenres...and also refreshing! Sludge, punk, stoner, grind, yada yada all laid down on a base of groove-metal. Black Rheno could well be any number of things to any old person, so long as one of those things is goddamn heavy. (Chris Cobcroft)

Broads: Nod Off, Dream (Single) (Indie)
- Seductive. Unnervingly so. This Melbourne duo sound too good to be true. The way they execute their harmonies is so haunting that it suggests that they’re surreptitiously trying to execute you. Honestly, though, it’s the same kind of immaculately arranged pop that is reminiscent of Ray Charles’ Modern Sounds In Country And Western. (Nick Rodwell)

Deep Sea Arcade: Learning To Fly (Single) (Rare Finds)
- This a slick return for Deep Sea Arcade. Four years away from the stage seems to have nurtured some encouragin developments in their sound. No longer strictly retro-pop, the duo embraces modernity with the same strong songwriting and production flair like that of Luke Steele. (Nick Rodwell)

DÉPARTE: Failure, Subside (Indie)
- Tasmania is known for many things. You can now add crushing, atmospheric black metal, with leanings towards dissonant death metal and doom, to the list of treasures. DÉPARTE follow up their two-track EP MMXIV with an album of such ferocity that it's hard to turn away from the uspeakable horror. (Lee Evans)

Flicker Vertigo: Life In Bloom (Single) (Indie)
- This shoegaze / psych rock from Melbourne-based mind-bender Flicker Vertigo is a REALLY dense experience. Like bobbing for apples you have to immerse your head deep in it to full be nourished from it. There is a lot goin on in its arrangement but there is an almost impenetrable wall of everything overloading your senses from start to finish. A1 psych. (Nick Rodwell)

Fortunes.: 501s (Single) (Future Classic)
- Recent Future Classic signing Fortunes. hail from Melbourne. Here they deliver a smooth, synth led feel -good summer tune, with a tongue in cheek delivery and sumptuous harmonies. Guaranteed head nodder to get you in the mood for the warm embrace of summer. (Lee Evans)

Freya Josephine Hollick: A Man Is The Water (Single) (Future Popes)
- This track will fill you with melancholy and make you long for a man and a land you once knew, even if you're only a 20 something from Brisbane. The delicate and sorrowful fiddle solos and teetering mandolin is accompanied by Hollick's whimsical and undeniably folk voice to create a track that sounds as if you discovered a love song from the '20s. (Marli Blanche)

Frida: Everything (Is You) (Single) (Indie)
- Big waves of big dream-pop out of Melbourne. This single affects you like twilight anaesthesia, overwhelming washes of euphoria with only minimal recognition for more pressing matters. The chorus is positively soaring. It’s almost as if this lot is trying to portray infatuation and succeeding, vividly. (Nick Rodwell)

Gauci: Hurry (Single) (Indie)
- Ghostly disco! Haunted italo-disco to be precise. The Sydney trio channel the spirit of Giorgio Moroder (who's not actually dead - it's just his comeback which croaked) for a synthy dancefloor mover that's draped in reverb like a funeral shroud. (Chris Cobcroft)

Gold Suns: Shade (Indie)
- Freo's Gold Suns are an interesting mix of the '90s a-la Julianna Hatfield or Veruca Salt and '60's girl-groups like The Shangri-Las. The combination is cool, even quiet, reserved and stylish enough for this guy. (Chris Cobcroft)

Harry Howard and the NDE: Sleepless Girls (Spooky / MGM)
- Harry's slobbery, enervated drawl makes it sound like he's been at it forever (and he kinda has), but Sleepless Girls is still a fulsome experience, full of shrieking organ, off-kilter power-pop, snarling blues guitar and veteran post-punk songwriting from a band that's seen it all. (Chris Cobcroft)

Jep and Dep: My Berlin (Single) (Indie)
- Gerling's Darren Cross is writing mournful songs about America in his solo stuff and melancholy songs about Germany in his folk duo with Jessica Cassar. With the kettle drums there's just a hint of The Smashing Pumpkins' Disarm, though Darren is no Billy Corgan (thank God). (Chris Cobcroft)

Kalacoma: Knives (Single) (Indie / Hunger Digital)
-The off-kilter beats of the new single from Kalacoma, Knives, is an intoxicating medley of triphop beats, intoxicating lyrical expression and avant garde dramatics. The almost vintage sound of their synth fuelled loops is married with soft guitars and delay filled pads. With this track being just a taste of whats to come in their sophomore EP, I'm sure we can except plenty. (Olivia Shoesmith)

King Nun: Tulip (Single) (Sony)
- This rips enough out of the gate to make you stand up straight, give it the second to appraise if it’s your kind of overdriven rah-rah rock and either move into the ruckus or away. Plenty of strangled guitars to project your frustration onto. Plenty of fuzz’d out cares to escape the mundaneness of, well, mostly everything, if you’re young, ladish and from London. A rollicking good time. (Nick Rodwell)

Lower Plenty: Bondi's Dead (Single) (Bedroom Suck)
- A very easy jangle, Lower Plenty are the kings of it. The best jangle-pop is often marked by a worn-out and wistful poignancy. This has it in buckets and a more worldly quality besides. Makes your regrets feel grownup and right. (Chris Cobcroft)

Lupa J: Remix EP (Indie)
- This is a badass remix EP. Land Systems' crushing industrial techno treatment of Game; mara's moody ambient rework of Numb; Ok Sure's ghostly house epic remake of Philomela; and two very different reimaginings of Teeth And Loud Talk in Marcus Whale's sparse skittering craziness and Elkkle's sharply contrasted, huge synth harmonies. Distinctly different from the original and every track on here is worth your time. (Chris Cobcroft)

Manisonair: Easier (Single) (Glassnote / Liberation / Mushroom)
Atmospheric synth, delicate vocals, light, building string lines and piano chords make up Maisonair's new track. The almost lethargic beat follows along behind the building synth hits, making for a solid backbone for the otherwise airy sound. (Marli Blanche)

Manu Crook$: Blowin' Up Ft. Miracle (Single) (Title Track)
- Sydney MC Manu Crook$ continues on the up with another collab with rising producer Dopamine. Blowin’ Up lays out the Australian new guard’s MO over a cold AF beat. Recognise it now before these risers are on top of you, they’re just cutting as their American counterparts. (Nick Rodwell)

Modern Fidelity: Modern Fidelity EP (Indie)
- Very much as it says on the box, Modern Fidelity are big fans of '80's Aussie power-pop (think Celibate Rifles or Screaming Tribesmen) and punk of a similar vintage (they cite Social Distortion, Descendents, et al). Given that the band features members of Blister and Mindsnare it's not at all surprising they turn that inspiration into a tight, heavy and anthemic EP. (Chris Cobcroft)

Moonbase Commander: Oblivion ft. Ecca Vandal (Trench)
- Moonbase Commander teams up with South African-born vocalist Ecca Vandal on the single taken from his Orthodox EP, released on his own Trench imprint. Deep dark flavours from Syndey. (Lee Evans)

Near Myth: Idiot Mystic (Indie)
- Melbourne’s Near Myth have that same curious spirit that is embodied by the likes of Devo and Hot Chip. That outside-looking-in, that minimal blur of new and old, that exacting sense of being human. It’s wry, comfortably groovy and understatedly worthwhile. (Nick Rodwell)

Nutrition: These Days Don't Exist (Indie)
- Eli Coppock is a producer from the North Coast of New South Wales. It sounds like he's a bit isolated from the sounds every other chill producer in Oz is making. That's great - These Days Don't Exist sometimes has the breezy, genre-skipping quality of Caribou or Fourtet. Sometimes, with its odd, sparse collages of sound it's like some minimal proto-house. It'll even throw in a skeletal edm trap cut which I definitely wasn't expecting. It's all evidence of the refreshing and very free spirit Eli brings to Nutrition. (Chris Cobcroft)

Odlaw: Chumps (Single) (Blue Grey Pink)
- You know those types of people where just their presence ruins your mood? Well Odlaw have written this song for you. Complete with a shreding guitar solo and a motown drum beat break down, this song brilliantly travels through so many indie pop-punk layers. So go on, spred the good word of Odlaw and send this song to someone you want to be "a little less than acquaintances" with. (Marli Blanche)

Okin Osan: You Tell, I'll Listen (Single) (Healthy Tapes)
- This is Rose Chan, Rainbow Chan's sister. She makes ever-so-slightly-jangly indie-pop with a little bit of twee xylophone and a jump-up-and-down chorus. It all comes together with surprising maturity and slightly better than it really has any right to. (Chris Cobcroft)

Peter Joseph Head: Peter Joseph Head Lightens Up (Airpunch Collective)
- The Airpunch Collective contains some of Australia's best and most undersung, offkilter pop talent. None of it really fits in with the jangle pop crowd or the flood of psych-pop. Mostly it's classic pop songwriting, the kind of thing that Burt Bacharach might recognise, but always with a demented twist. If you're looking for a recognisable reference point you might tap Totally Mild and their C86 channelling sound, a band which has some connections to Airpunch. Here's another one you should know: Peter Joseph Head. He sits at the forefront of the Airpunch crowd and makes floods of cleverly orchestrated pop, full of a wryly bubbling sense of humour. It's great, go listen to it, don't make me start to sound whiny and irrelevant. (Chris Cobcroft)

Planète: Nightcrawler (Single) (Good Manners)
- A fast and funky mover from Melbourne producer Dion Tartaglione. Boom bap is gently inflected with spacey idm touches to make Nightcrawler as mysterious as it is danceable. As interesting and effective as anything Caribou or Fourtet have been coming up with. (Chris Cobcroft)

Polish Club: Beat Up (Single) (Double Double)
- Polish Club are a only a duo, but there's no way to tell with the sound they produce. This lead single from their debut album gives us a taste of what is to come; double speed drums, raw vocals, thrashing guitar and an overall good, dirty time. (Marli Blanche)

Polographia: Feels Alright (Single) (Indie)
- Is Polographia making me feel nostalgia for chillwave? Actually their sauntering, breezy funky, disco-y beats are kinda timeless and a sound weaponised for the rapidly approaching summer. (Chris Cobcroft)

Sam Weston: Don't Save Face (Single) (Soothsayer)
- Sydney DJ Sam Weston has cut together something of a delicacy (and with the support of Soothsayer, would you expect any less?). Sample heavy and with a housey fervour, this uptempo, funky selection is undeniably addictive. (Nick Rodwell)

Sister Socrates: Knife's Edge (Single) (Indie)
- What a brooder from Melbourne’s mysterious Sister Socrates. This sly synth-rock sets a determined course through detuned harmonies in order to escape. And with crescendos that satisfy like the exhales of relief, this is a very intriguing introduction. (Nick Rodwell)

Stonefox: Hands Of Gold (Single) (Indie / Mucho Bravado)
- The evocative and ethereal sounds of new single from Stonefox, Hands Of Gold, is instantly captivating with its dreamy production, delicate vocals and chilled out beats. Reminiscent of folk artists such as Daughter, with an electronic twist, this is an excellent example of how powerful bedroom production can be when the right sounds are paired with such good songwriting. (Olivia Shoesmith)

Swick: Offside (Single) (Thinking Loud)
- Don’t sleep on Melbourne producer / DJ Swick, he’s been busy for years now working with established names. It makes sense, as well, his style bounces effortlessly, full of life and colour with effective flicks of hook which ultimately makes you dance. (Nick Rodwell)

Take Your Time: Sleep In (Single) (Neat Lawn)
- Very laidback deep house from two veterans: Angela Schilling (Swimming) and Lee Hannah (Townhouses). The Melbourne pair deliver a slightly naive twist on the diva vocal that fits very neatly with the stuff people like Andras Fox & Oscar Key Sung have been making together. It also creates a house cut as welcoming, disarming and relaxing as it is possible to be. (Chris Cobcroft)

TEES: Got The Feeling (Body Corp Remix) (Farmer And The Owl)
- A remix that flips within context. TEES’ overtly '90’s house has been reworked as '90’s IDM by Sydney-sider Body Corp (Marco Vella). It’s a smooth ride full of analogue goodness, where you’ll undulate aboard acidy resonances and increasingly dense rhythmic layers. (Nick Rodwell)

Third Floor: Can't Do This Alone (Single) (Inertia Access)
- If Rufus and Marvin Gaye had a sordid love affair, their illegitimate child would arrive swaddled in this airy, atmospheric ditty. This bundle of joy delivers pitch shifted vocals that add a groovy, sensual vibe to shimmery synth laden summer electro. Call the babysitter; we're going dancin' (Fiona Priddey)

Trust: Dive (Indie)
- Sydney is really burgeoning with talent right now and post-punk band Trust are joining the fray with the release of their single Dive. Reverberated guitars and a singalong chorus set the scene for the trio to flex their musicality. (Lee Evans)

Woodes: Rise (Single) (Indie)
- Melbourne based singer and producer Woodes has released her newest single, Rise. Reverb drenched production and sultry vocals are built up by choral backing vocals to create an empowering and entrancing track. (Ben Gibson)

Overseas Artists:

Agnes Obel: Citizen Of Glass ([PIAS] / Mushroom)
- The Berlin-based songstress returns with this lusher evocation of her sound and a moody exploration of themes of privacy and existence in a highly surveilled world. At times eerie and at others achingly beautiful, Citizen Of Glass has a grasping immediacy and gives you plenty to think about later. (Chris Cobcroft)

American Wrestlers: Hello, Dear (Single) (Inertia / Fat Possum)
This lead single from American Wrestlers album has two charms: A rousing chorus (which we’re all suckers for) and a ramshackle groove, which is infectious. Count me curious, let’s hope this indie-rock has some legs. (Nick Rodwell)

Coldcut: Only Heaven ft. Roots Manuva (Single) (Ahead of our Time / Inertia)
- Coldcut are the duo responsible for founding the label Ninja Tune - home to the likes of Thundercat and ODESZA. The pair are stepping back to the fore with their latest single Only Heaven, and from the spooked-out sampling of bells and backing vocals to Roots Manuva’s feature this is an almost classically executed, supreme, piece of triphop. (Nick Rodwell)

Dead Light: Dead Light (Village Green / Redeye)
- Dead Light are a British couple creating neo-classical prettiness with a piano and violin, not to mention a whole bunch of interesting, experimental junk. Homemade synths, prepared pianos and old Russian microphones add glitches, found sounds and ambient touches which are the ornamentation and scrollwork for the rich and sentimental sound of an album that'll reach in and fiddle around with your heartstrings. I think 'potential Studio Ghibli soundtrack' has become a genre, yeah? You could put this there. (Chris Cobcroft)

The Dillinger Escape Plan: Dissociation (Party Smashing / Cooking Vinyl)
- There's a lot that's awful about prog-metal but Dillinger Escape Plan is kinda awesome, right to the end. So much of what they've been, over the years, comes crashing together on what they've said will be their final record. String interludes and insect plague idm beats surprise, confuse, amaze and terrify but more commonly it's brutal grindcore metamorphosing instantaneously into jazz. Dissociation is so precise it could sometimes intimidate Meshuggah. You have to be prepared to accept an awful lot of clashing flavours to appreciate what's on offer here, but, golly, it's your rather large loss if you don't. (Chris Cobcroft)

Dubozia Kolektiv: Happy Machine (Menart / 300 Producciones)
- The genre jumping Bosnian anarchists are always stirring the pot in the most energetic fashion imaginable. Roma-ska about internet piracy - check; drum'n'bass about the one percent - check; Balkan hip hop about radical democracy - check. The soundtrack to your next running street battle with riot police. Oh, they're touring Oz too, watch out. (Chris Cobcroft)

Haley Bonar: Impossible Dream (GNDWIRE / Thirty Tigers / Cooking Vinyl)
- If you haven't heard anything from Canadian born, US based artist Haley Bonar, the bittersweet, indie-pop tunes from her newest album Impossible Dream will draw you in from the get-go. Slightly off-kilter melodies, paired with her soft yet demanding voice, create an atmospheric and powerful feeling. The punk influence from her side project Gramma's Boyfriend seeps into some of the tracks, such as single Called You Queen and the strong guitar riffs add an unexpected fierceness to her otherwise poppy tracks. With lyrics that explore many contemporary issues such as sexuality and gender, the impossible dream of album success on this one might not be so impossible after all. (Olivia Shoesmith)

Keaton Henson: No Witnesses (Single) ([PIAS] / Mushroom)
A powerful song to listen to if you want to feel something, something being nostaglic and entirly sorrowful. Henson's ethreals vocals sings of heatbreak and being in a place you don't want to be. The production is flawless, with airy, almost inuadable strings buliding alonside a backdrop of constistant and flowing piano. (Marli Blanche)

King Nun: Tulip (Single) (Sony)
-This rips enough out of the gate to make you stand up straight, give it the second to appraise if it’s your kind of overdriven rah-rah rock and either move into the ruckus or away. Plenty of strangled guitars to project your frustration onto. Plenty of fuzz’d out cares to escape the mundaneness of, well, mostly everything, if you’re young, ladish and from London. A rollicking good time. (Nick Rodwell)

The Lemon Twigs: Do Hollywood (4AD / Remote Control)
- This album is something you would expect Johnny Depp's character from Willy Wonka to be listening to in his down time. It's baroque-pop at its absolute finest, with each individual song twisting and turning unexpectedly, exploring different sounds and genres for the entirety. (Marli Blanche)

Letherette: Shanel (Ninja Tune / Inertia)
- Modular Wolverhampton dance duo Letherette do like to keep us guessing. Their groove is not always mine, either, but this single from their forthcoming second album for Ninja Tune is a masterclass in anthemic '80's electronica. Vangelis style synths provide the smooth lines as the slamming, funky beat makes you think you're listening to Kavinsky or Com Truise at his most frisky. (Chris Cobcroft)

Mannequin Pussy: Romantic (Tiny Engines / Redeye)
- Philadelphia’s Mannequin Pussy are great. Their ability to pair beauty and blisters is a wonderful thing. Where they charm you with their big grungey, pixie-indebted pop mutants they’ll turn around and offend you with a hissing Metz-churning thumper. Ultimately, it’s the every-limb of rock mannequin that they assemble so effortlessly which is key to they greatness. (Nick Rodwell)

Powell: Sport (XL / Remote Control)
- A lot is made of Powell's reinvigorating electronica with the spirit of punk. Sport is certainly an anarchic affair: DIY beats, lo-fi production and misfiring samples. Thing is, I've never really thought this kind of music was missing from our collections, but Powell makes it both funky and fun, never losing sight of his real goal: to get you moving and do it with a big grin on your face. (Chris Cobcroft)

Sammus: Pieces In Space (Don Giovanni / Redeye)
- Sammus is a weird collection of things. A rapper & producer from NY State, she has some of the in-your-face fire of Jean Grae, which is maybe unusual for an at least halfway nerdcore rapper (you didn't guess from the name?) Why not though? Nerdcore needs more badasses and Sammus -as we all know- is certainly that. (Chris Cobcroft)

The Seshen: Flames & Figures (Tru Thoughts)
- Bold and seductive, this Californian electro-pop outfit flirts with everything from technicolor Tears For Fears pop to syrupy future-soul. Keeping it tight and close in this EP only makes it more engaging. (Nick Rodwell)

SGR^CAV: THOTH OST (Indie)
- Do you know what makes an abstractly beautiful twin-stick shooter by a former lead-designer on games like Limbo and Inside better? A soundtrack by Cristian Vogel and Gunver Ryberg is what. A mixture of hip hop beats, dark ambient, bass and idm infuse  the game claustrophobically with a terrifying feeling and, if you want to listen to it on its own, it works just fine that way too. (Chris Cobcroft)

Sleaford Mods: TCR (Rough Trade / Remote Control)
- These geezers are somewhere between synth-pop, kraut-rock and a crotchety old man at a bus-stop complaining about everything that's wrong with the world today. Maybe like the love-child of Future Of The Left and The Streets if it grew up to be a stand-up comedian? Whatever, they pack tension and they're damn funny. (Chris Cobcroft)

Swet Shop Boys: Aaja (Single) (Customs / Inertia)
- Pretty interesting trans-Atlantic partnership between NY's Heems and poms Riz MC and producer Redinho. The single is a big, cheesy love rap, which maybe doesn't do justice to all of what they're capable of, but it does it least show you their 'throw everything in the melting pot' style, right down to the big Hindi chorus. (Chris Cobcroft)

Tiny Dinosaurs: Awake (Indie)
- LA's Julie Jay makes folk-rock that is mournful but richly realised, working synthesisers and other sounds in amongst the more traditional elements. The EP moodily echoes the likes of Sharon Van Etten and PJ Harvey and does pretty decent job of it, too. (Chris Cobcroft)

Weyes Blood: Front Row Seat To Earth (Mexican Summer / Rocket / Mistletone)
- This new addition from Californian artist Weyes Blood is an intimate collection of psych-folk ballads, which cohesivly come together to create an emotional journey through love and loss and space and time. Lead single Do You Need My Love pairs harmony rich vocals with ambient, experimental synth sounds and heavy reverb. This record creates a bond with the listener - drawing you in with its closeness and honesty. (Olivia Shoesmith)